Coffey Sound :: Microphones :: Sanken CSS-5 Stereo Shotgun Microphone

Sanken CSS-5 Stereo Shotgun Microphone

SKU SSAN.CSS-5
 
Price: $2300.00

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The Sanken CSS-5 Stereo Shotgun Microphone is in response to the persistent demands of production sound engineers for an easy-to-operate, flexible stereo shotgun for use in stereo broadcasts and feature films with stereo and surround sound. Because of Sanken's innovations in Second Pressure Gradient technology and the use of two cardioid diaphragms, the CSS-5 offers three distinct operation modes.

The remarkable performance of the CSS-5 is based on an array of five new directional condenser elements, with new PPS ( Poly-Phenylene-Sulfide ) diaphragms to provide optimum humidity / temperature stability. Developed in conjunction with NHK, the CSS-5 is equally responsive in the horizontal and vertical planes with high sensitivity, wide frequency response and excellent dynamic range.

The revolutionary CSS-5 is small and lightweight with switchable mono / stereo functions. The standard 19mm diameter permits use of a wide range of accessories developed for enhanced performance and field mobility. The CSS-5 provides three switchable modes to satisfy the various needs of location and studio recording.

Features:
NORMAL: square In the NORMAL mode, the CSS-5 clearly picks up the targeted sound as well as extremely accurate stereo localization. STEREO angle is approx. 115°

MONO: square In the MONO mode, sharp directivity is maintained over a wide frequency range for the aimed frontal sound sources, using the combination of a second gradient microphone and a line microphone. It is significant that the CSS-5 picks up the chosen sound source very clearly even in a noisy ambient situation or in a long reverberation space.

WIDE: square The WIDE mode is designed for stereo recording of sound effects where dialogue will be dubbed in at a later date. This mode allows a wider 140 degree pickup, whereas conventional M-S microphones have a maximum of 127 degrees.

Mono-Stereo Compatibility: square In stereo recordings, the frequency response of the MONO summed output often exhibits interference, or "comb filtering." This phenomenon is caused by phase differences between the Left and Right signals. This does not occur in single point recording, either X-Y or M-S, but does happen with spaced - AB - microphone stereo recording because of the time intervals between the two. In the CSS-5, the three-capsule line array is for frontal pickup, with its elements arranged vertically along the same axis, so Mono / Stereo compatibility is superb.

Non-Proximity Effect: square When a directional microphone is near the sound source, the proximity effect results in a boosting of certain low frequencies and slight masking of others. Some designs utilize this effect to reduce surrounding noise, but microphone response greatly varies with the changing distance between the source and the microphone. This effect becomes more pronounced when the directionality becomes greater, By contrast, the CSS-5 virtually eliminates the proximity effect in spite of sharp directivity, while the sonic characteristics do not change with varied distances between source and microphone. This is a significant advantage over all other directional microphones.
 
Includes:
CSS-5 Vinyl case
Directivity
Super Cardioid / lobar , 2ch Stereo 
Transducer
DC biased condenser 
Frequency range
100Hz - 15kHz 
Sensitivity (nominal at 1kHz)
MONO 35mV/Pa ( -29dB,0dB=1V/Pa)
NOR 45mV/Pa ( -27dB,0dB=1V/Pa)
WIDE 71mV/Pa ( -23dB,0dB=1V/Pa) 
Equivalent noise level (A-weighted)
18dB-A 
Max SPL (1% THD)
120dB SPL 
Output impedance at 1KHz
240 ohms 
Powering
+48±4V phantom X 2ch 
Current consumption
less than 2.5mA ( Lch ) , less than 1.6mA ( Rch ) 
Weight
250g 
Dimensions
300mm X 45mm , 22.5mm , 19mm
Surface finish
matte black 
Connector
XLR-5M

Sanken Brochure

CSS-5 Brochure
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