Portable Mixers

The FM-3 Portable Mixer offers a three-input, stereo output portable mixing solution and has been designed primarily for ENG (professional electronic news gathering) but is also at home in on-location film productions. It’s equipped with 3 balanced inputs (switchable phantom power), with a 2ch main output plus a wide variety of sub outputs.

As a 4-channel portable audio mixer designed specifically for EFP, broadcast, on-location TV and film applications, you would expect exceptional audio performance with flexible output options and the FM-4 does not disappoint. Each of the 4 balanced XLR inputs can accept mic or line level inputs and features 12T and 48V Phantom power, an ultra-low noise pre-amp design with high quality custom transformers and switchable Hi Shelving EQ and Mid Sweep EQ. Metering is taken care of by an easy to read, highly visible organic LED display with high resolution metering offering both VU and peak level indication, battery level and selectable stereo and mono modes.
There are multiple output options including sub outputs, a Tape output and 2 x AUX outputs with channel select. The main outputs (x2) and sub outputs (x2) also double as 1-4ch Direct Out (post-fader). In addition, a dedicated monitor return input is available for referencing audio from VTR or Camera feeds. 

AUDIO ORGANIZER ( B series) is an ideal solution for a bundle of products. They fit your mixer, audio recorder, external battery, wireless receivers and transmitters. As the mixers have shrunken, switches are found on all surfaces. The RAIN COVER can be rolled and stored neatly in the pocket nearest your body. It deploys in seconds, has a very large, clear, vinyl window for viewing all your equipment. It encloses everything including the bottom. You can reach controls, knobs and switches from 3 sides. We have stripped away nearly all the obstructions to those tiny controls. We have stored a RAIN COVER in the outside pocket. It is easy to install even while using the optional AUDIO HARNESS/BELT combinations or the NEW AUDIO SHOULDER STRAP.

Sound Devices 302

• Five high-performance microphone inputs with two-stage gain control, limiter, variable high-pass, and solo monitoring
• Pre- or post-fader direct outputs per input
• Multiple, balanced output connections, including XLR, Hirose 10-pin, and TA3
• AES/EBU output option, two connections for four channels of digital output, sampling rates up to 96 kHz
• Integrated digital recorder with simple control records to SD or SDHC media
• Records two tracks of uncompressed Broadcast WAV up to 96 kHz sampling, or compressed MP3 files
• Accepts time code input to time-stamp recorded audio files
• Flexible metering modes, including zoom metering for high precision near 0 dBfs
• Voice-confirmation appear in headphones for critical operational information and when navigating Setup Menu
• Lightweight design uses metalized, molded carbon fiber top and bottom panels for durability and strength
• Front panel is gasketed for protection from weather
• Powered by four-AA batteries or external 10-18 VDC

Sound Devices MixPre